One of my colleagues in the UK snapped this photo in the bookshop of Tate Modern. So happy to be so close to the words of Naomi Klein.
Read a review of this book and decided to check it out for myself. Overall, it is a fascinating read about the rise of inconspicuous consumption among the so-called aspirational class. There is a lot of interesting information in the book, and it reflects on the social consequences of growing inequality in the United States and how it is becoming more and more difficult to reverse its long term effects. Forget about the Rolex and the Benz, health, wellness, education, and security in old age are the new status markers.
I read Eric Bennet's article, "How Iowa Flattened Literature," in the Chronicle Review a few years ago and was very excited for this book. His basic argument is that Cold War pressures, and especially the need to fight against socialist realism, deeply influenced the development of American creative writing programs in the 1940s and 1950s. A lot of the techniques that the literary cognoscenti associate with "good" writing today are really artifacts of the anti-communist politics of the Cold War. It's a fascinating argument, and it helps me understand why much American creative writing tends to hyper-focus on the individual and the sensory experience of the world and eschews politics, philosophy, and ideas.
Because I was traveling, I actually read this book on my e-reader. This is a great introductory primer for young people that Varoufakis originally wrote in Greek to his own child, Xenia. He has a lively voice and it is a very fast read, with lots of pop culture references. I think the most useful discussion is his exploration of the difference between exchange value and experiential value, and his call for radical democratization of the economy.
A sweeping history of the Cold War, but Westad doesn't have much to say about women. So far, I've found only one relevant paragraph which segues immediately into a discussion of militarism.